In her review of Yorgos Lanthimos’ Bugonia (2025), Sadie Cho explores how the American remake of Save the Green Planet! (2003) uses a female instead of a male protagonist to question the ethics of enacting hostility towards a harmful healthcare CEO when said hostility is partly motivated by misogyny and incel ideology.

At its core, Fight Club  (1999) is a film about duality: masculine self-invention and self-destruction, chaos and control, and reality and delusion. The film's ability to reckon with these dualities simultaneously serves as a testament to its cinematic excellence. The protagonist (Edward Norton), whose name is never revealed, is introduced as a man who follows the same mundane routine and blindly buys into consumerism. He spends his nights scrolling through IKEA catalogs and