In recent years, viewers have increasingly tuned into the vapid online interfaces of TikTok and Instagram, while turning away from similar images rendered on the cinema screen. In her essay, Asha Ahn examines why contemporary film has struggled to capture modern internet culture while keeping its audience engaged, and how filmmakers are grappling with shifting perceptions of our digital lives.

This piece explores how Costa-Gavras’s Z treats politics not merely as a clash of physical power, but as a fight for narrative control. In Z, the struggle to explain an event becomes a struggle to define reality. Its ending, in withholding any sense of resolution, is what makes the film feel disturbingly modern.